#critlib 12/2/2014 Archives!

#critlib chat on December 2, 2014 about Archives. Moderated by @barnlib. Learn more about #critlib here: http://tinyurl.com/critlibx

  1. A propos tonight, plugging the Litwin Books Series on Archives, Archivists and Society  http://litwinbooks.com/series-archives.php  #critlib
  2. When will we combine #critlib and @LibWardrobe, where people tweet photos of their chatwear? #critclothes
  3. Can't join #critlib but want to note that several chapters in Informed Agitation deal w/ critical/radical archiving:  http://informedagitation.info/authors 
  4. Hellooooo, #CRITLIB! Let's have intros. I'm moderating tonight (Jenna Freedman, Barnard Coll) & grateful to critical @BarnardArchives-ists.
  5. I also want to acknowledge @BarnardArchives-ists Martha Tenney & Shannon O'Neill for helping me craft tonight's questions. #critlib
  6. Question 1 [Intros removed]
  7. Q1 How do you shape a coll dev't policy that reflects a critical, non-colonialist approach to "collecting" the undercollected? #critlib
  8. #critlib #A1 *sigh* I think that depends a lot on our institution's mission; might have to decolonize them first.
  9. @barnlib Well, most of them were in Germany, and I generally loved the archivists... #critlib
  10. @barnlib But it took me a year or so to stop being scared to death of the places. #critlib
  11. #critlib A! That said, finding the wiggle room in existing missions is totally possible.
  12. Q1 Archives are just coming around to this, I think. Reading, asking questions of current efforts, listening to others helps #critlib
  13. A1 Read further on colonialism to understand what anti-colonialism would look like, how possible within context. #critlib
  14. A1 I think also being an advocate for the community whose histories you want to "collect" and perhaps reframe "collecting" #critlib
  15. #critlib A1 Say you collect women's history. Ok, there's room there for incarcerated women, trans women, women of color, indigenous women.
  16. Folks who are new to #critlib, #LIS students, please feel confident to speak up. People are generally nice here. :)
  17. A1 you aren't just collecting... you're also hopefully using the materials for other purposes... #critlib
  18. #critlib A1 Listening for the silence in the archives, as is said. And examining where your own discomforts & biases are & pushing on that.
  19. Q1 this question pre-supposes that archives in general collect from the larger world, but many don't (e.g., institutional archives) #critlib
  20. A1: To me has a lot to do with respecting ways that marginalized communities collect their own damn history. #critlib
  21. @kellymce agree!!! Important to build a good relationship with your community/person etc whose items you think are important. #critlib
  22. A1 Allow for small presses non presses oral histories give platforms to digital collections that support other voices #critlib
  23. .@lisaflepore Yeah! Different ways of knowing, working with info, etc are used by different people. #critlib
  24. #critlib A1 Having diverse inputs into your collecting policies -- more cooks in that kitchen, please!
  25. A1 And maybe you have lots of ppl making the policy, maybe incl ppl/communities you want to collect? #critlib
  26. A1: Sometimes, this means recognizing that your institution ain't the right place for records, that they belong in the community. #critlib
  27. Can be hard to do. We know best! MT @kellymce A1: Sometimes, this means recognizing...the records...belong in the community. #critlib
  28. I'd be interested in learning what govt archivists have to say about Q1 #critlib
  29. Q1 #critlib our collection is in appalachian studies and getting that recognized as important is an ongoing challenge. just keep hammering.
  30. @eiratansey #critlib Q1 this is my problem; I try for descriptive work that can expose those positions instead of collecting them outright.
  31. A1 Not an archivist, but surely some indigenous communities don't want to be "collected" in the first place? #critlib
  32. A2. Agreed, @topshelver. Or at least be allowed to collect their own things without "help" from outsiders. #critlib
  33. .@topshelver There was a discussion about this pertaining to activists maybe a year ago. Not much came of it. #critlib
  34. Semi-related thought to #readsaa5 and #critlib discussions: becoming a records manager has taught me a lot about being a better archivist
  35. A1 It might also mean taking a community-centered approach: ask the community what they want from you. Maybe expertise, supplies... #critlib
  36. Moving on, because time...but keep responding to Q1 if you want. #critlib
  37. Not sure I follow. My point is that many archives (e.g., corporate archives) don't collect outside of their institution #critlib
  38. @eiratansey And it seems that many other archives that do collect outside of the instit. are simply opportunistic about it. #critlib
  39. @ibeilin I reserve my biggest beefs for trophy collection archives that drive up the market and turn archives into commodities #critlib
  40. Really good point @eiratansey! But even deciding what to collect within your institution can be loaded. #critlib
  41. @barnlib of course. but to a certain degree operational needs guide that discussion, more than in "collecting" repositories #critlib
  42. Could afford the critical archivist a great platform for discussing institutional/operational needs & policies. @eiratansey #critlib
  43. A1: been wondering lately if some records ought to be in an archive at all, given that "archive" is problematic for some cultures #critlib
  44. @stephestellar A1 Yes & no. I believe Northeastern in Boston was one of the first academic archives to do so. #critlib
  45. A1 Perhaps try to anticipate & accommodate plural ways of knowing, different ways materials can be used for purposes/communities #critlib
  46. @ibeilin Of course, safety is relative. I'm thinking of zine collections in punk kid squat house leaky basements. #critlib
  47. @lisalibrarian @ibeilin I mean literally, the materials are in danger of being destroyed/recycled. Other valences, matter too. #critlib
  48. Question 2
  49. Q2 How do you document & be transparent about your appraisal, acquisition, description, processing, etc. methods & policies? #critlib
  50. A2 I think as a student of archives, transparency re policies is educational- I can read them in advance of applying/interview #critlib
  51. #critlib A2 Retain iterations/versions, so changes can be seen. And put names on shit, so we know who to blame, I mean, who to speak with.
  52. A2: Some of this is basic dejargoning. Make things accessible/searchable/findable. No one knows wth a finding aid is. #critlib
  53. A2 Note, mark, document process and make documentation available to be learned from, to be critiqued #critlib
  54. A2: As a volunteer I've noticed transparency is maintained through clearly stated policies accessible to all in the department. #critlib
  55. I realized during this convo that our library has an archive & most libraries do in one form or another -these Qs rel. to libs too #critlib
  56. Like @ibeilin says -- if you do reference or instruction, archives may be relevant to your users. #critlib
  57. @kellymce And even from an administrative side - decisions need to be made about the collection, what to keep, collect, discard. #critlib
  58. @kellymce @ibeilin #critlib don't forget archives live side-by-side "library" materials in special collections esp those rel to area studies
  59. #critlib A2 For all that is holy, put as much documentation on the website as possible.
  60. A2 also having links to finding aids in multiple places... some come through catalog but others through archive's site itself #critlib
  61. A2 #critlib: can policies and procedures take the place of cultivated relationships with archivists deeply connected to the communities?
  62. Q2 These should be in visible policy. Don't acquire unless can have resources & plan (i.e timeline) for processing from the start! #critlib
  63. Question 3
  64. A3/Q3 What kinds of things do nontransparent archivists hide? #critlib
  65. @barnlib What they've got? #critlib This is most definitely true in Russian state archives! (you have to have tea w/them first).
  66. A3 the author field on a finding aid. In my first job, we were considered unusual in that we signed the finding aids we wrote #critlib
  67. .@eiratansey For many reasons (i.e. showing labor; subjective aspects of interests/knowledge), seems revealing authorship is great #critlib
  68. #critlib A3 Nontransparent archivists hide... everything. I think it usually comes down to power, which means a bigger problem.
  69. @jayeldee Oh wow. I love and hate this idea at same time. Could be a donor relations nightmare/educational moment extravaganza #critlib
  70. MT @ibeilin in Russian state archives! (you have to have tea w/them [before they'll tell you what they have]). #critlib
  71. A3 - at first read that as “what do transparent archivists hide” - as in, what gets hidden even when we try to be open #critlib
  72. A3 brings up the damned "found it in the archives" trope. We don't realize what we are "hiding" -- it's a communication prob . #critlib
  73. @kellymce A3 communication and labor-- does everything always get processed item by item?? #critlib
  74. @DinahHandel AHAHAHAHAHAHA, good one. #critlib I mean it comes down in some cases to the diff between libs and archives.
  75. A3 whatever the donors don't want to be seen, for better or worse. #critlib
  76. Non-transparent can mean the secrets of what is there or the void of what is not, different kinds of invisibility #critlib
  77. #critlib A3 That's power to discriminate against readers; power to create a shitty workplace; power to hide important bits of knowledge.
  78. @eiratansey I was thinking that if you're not mandated to collect records that you think you shd be, you can take it up w yr corp. #critlib
  79. A3 Why some archives have $$ for big collections/fellowships but apparently none for their interns #critlib
  80. Q3 How do you address gaps in the archival record in a non-tokenizing manner, that doesn't erase the prior absence in the record? #critlib
  81. #critlib A3 Admittedly, on rare occasions, secrets are a blessing. Queer material wouldn't survive, say, without being at least obscured.
  82. A3 Maybe prioritizing the accession of certain materials based on the social or economic clout of the donor. Unspoken politics. #critlib
  83. A3: also, lots of stuff is unintentionally "hiding" in the backlog #critlib
  84. My sense as a researcher in state archives was that they were devoted to mirroring (and reproducing) the existing power structure. #critlib
  85. A3 nontransparent can mean so much, but implicit biases can cause to forget to show some things even when we try to be transparent #critlib
  86. #critlib A3 Which means you must think about what culd possibly be analogous to old queer collections; what must we hide in plain sight now?
  87. @RachelMFleming I think this is where collecting stories/papers of archivists w deep community ties is impt part of transparency #critlib
  88. Q2 Try to be as detailed as possible in finding aids re. what recs arrived, what was discarded, clear excisions + suspected gaps. #critlib
  89. A3 I've seen a lot of hiding done inadvertently - without policies, more subjective decisions/unconscious bias come into play #critlib
  90. A3 An oral history + transcript had to be removed due to potentially slanderous content against those still living. That count? #critlib
  91. @eiratansey Yes! I would have loved knowing just whom to contact (besides excellent @Lisa_Deee ) when traveling to NYC for research #critlib
  92. #critlib A3? 4? Nontokeniszing -- kinda have to start somewhere, I guess. But create the context for those records. It has to make sense.
  93. A3 Wasn't there a historical archive of white supremacist material that had to be yanked from the web because it attracted racists? #critlib
  94. Q3 Open acknowledgement and working with those who have been under-represented if possible? #critlib
  95. A3 is really about putting to bed the myth of the neutrality of the archivist, I think. #critlib
  96. @topshelver This is frequently a problem in Germany, where any collection or exhibit of Nazi materials attracts bald guys in brown #critlib
  97. Chiming in here A3 I've been accused of hiding, when telling researchers they have to do the work, and archival research=difficult #critlib
  98. A3: Amount collected vs. processed over time. Collections are pointless until accessible. Never-ending backlogs = failing our users #critlib
  99. Q3: this is where finding aids (can) shine- document the gaps and the process of filling them. #critlib
  100. A3 Also, again, recognizing your limits. We can't expect non-radical institutions to sudden have radical archives. #critlib
  101. Q3 We've been dealing with this in the past 10 years, though had very 'progressive' collections from day 1 (but White/Anglo/Cis) #critlib
  102. A3 - Be as honest and open about why I'm interested in collecting now what wasn't collected in the past as I can #critlib
  103. Iate introduction, Ellen, a special coll librarian/archivist at CUNY focus is criminal justice #critlib
  104. @kellymce I'm still amazed that NYU, that most neoliberal place, has the Tamiment archive and Downtown Collection! #critlib
  105. @kellymce of course not being neutral can really work in favour of social justice. like the TRC archives at U of Manitoba. #critlib
  106. #critlib Q3 in general, we need more narratives that acknowledge empty spaces and excluded voices
  107. @topshelver Yes. The archive's reasoning was it wouldn't let archivists' distaste for the material prohibit public access to it. #critlib
  108. A3 also has to do with documenting the archive's history, and being transparent, saying to patrons "this is our history" #critlib
  109. @MisterBooth @eiratansey A shame—and also a reason to track authorship? “I’m doing best I can as non-subject specialist?” #critlib
  110. Finding aids are tools for archivists as much as they are for users re @stegan's point - definitely mention what is absent #critlib
  111. @ibeilin And sometimes the radical people just recognized they needed to hold their noses and put the stuff somewhere safe. #critlib
  112. @foureyedsoul @MisterBooth Well and the advent of MPLP in archives means a super detailed finding aid is a luxury of the past #critlib
  113. More A3- we collect, appraise, make avail. but don't always have resources to do more than minimal processing - thats not hiding #critlib
  114. @LNBel Yes, in places with very little funding and resources (like Russia) access is more dep. on personal relationships & favors #critlib
  115. Q3 Have had some success by building relationships directly w/ individuals, try 2 find allies who can vouch for us w/n community. #critlib
  116. @stephestellar And direct users to related collections at other institutions #critlib
  117. i don't know which Q this answers if any, but i think so much about transparency is caught up with copyright law and its fuckedness #critlib
  118. @MisterBooth Yep, esp if it fills gaps! And if someone comes looking for info I know we didn't collect, I show them ArchiveGrid #critlib
  119. @eiratansey @foureyedsoul @MisterBooth Yes! MPLP has been strongly encouraged in my recent volunteer work in archives. #critlib
  120. @eiratansey @foureyedsoul @MisterBooth But sometimes there are ways users can contribute the detail we don't have time to. #critlib
  121. A3 Showing I’m a lib*, not archivist: maybe link to current scholarship/LOC fields in finding aids to raise critical context? #critlib
  122. @foureyedsoul Or if not finding aids specifically, somewhere appropriate in collection’s descriptive material? #critlib
  123. Q3 People know they're at risk of being tokenized. Had some donors say "I trust *you* but if you leave, who will carry through?" #critlib
  124. @foureyedsoul Also, doing a better job to make archival collections discoverable along with the rest of a lib's collections... #critlib
  125. @foureyedsoul yes, linked open data WOULD solve a lot of our problems .... #critlib
  126. Q3 you have to be in for the long game. You're not just taking in records, you're committing to someone's legacy in perpetuity. #critlib
  127. #critlib I think MPLP is largely bullshit. Workflow & effectiveness are great. But it's a way to get more from workers, do more with less.
  128. This is so real. MT @deantiquate Q3...Had some [potentially tokenized] donors say "I trust u but if u leave, who will carry thru?" #critlib
  129. If an archive is described to the box level and a prelim. inventory is made collection is ready for use in my opinion #critlib
  130. A3: Also, part of building relationships is to recognize when your institution is not the right place for the records. Refer! #critlib
  131. @kellymce True! & that’s on us librarians, too. Not sure I’d immediately think to link to campus-held archives on a subject guide. #critlib
  132. Question 4
  133. Q4 What ethical considerations does a critical archivist apply to licensing & #copyright and charging fees for reproduction? #critlib
  134. Q4 - I don't think theres much reason/justification for charging licensing fees, copyright belongs 2 creator/descendant not archive #critlib
  135. #critlib Q4 I've heard arguments for refusing to accession materials that can't be photographed in exhibits / by researchers.
  136. Q4 - I just spent hours completing a photocopy order from a researcher, you better believe I'm going to charge for my labor #critlib
  137. Q4 is i think a really complex question. open access/creative commons folks make good points abt e.g access improves value...#critlib
  138. @musarian million $ Q! My A: never. "Full" processing not feasible: way we understand history evolves. But have to start somewhere #critlib
  139. @lisalibrarian @kellymce @ibeilin UC Riverside’s Eaton Collection (sci-fi) has apparently been considered for such other uses. #critlib
  140. A4 (naive question?) Why can't archives charge use fees to wealthy users like Sotheby's or Ken Burns, but not to normal people? #critlib
  141. @foureyedsoul Yeah - in part, because lib staff aren't cross-trained to find the stuff...which just shows how undiscoverable it is. #critlib
  142. Q4 ...access=preservation, etc. but there's so much resistance to/misunderstanding abt CC at higher levels of admin #critlib
  143. Q4: even if we know we don't hold copyright, what responsibility do we have to keep current contact info for who does? #critlib
  144. Regarding Q on donors and trust, all that should be written down in a deed of gift. #critlib
  145. #critlib Q4 GLAM legal req to charge for only the cost of the repro. Any more is gouging -- esp. if you charge academics for fair use.
  146. Q4 I have no issue with charging labor fees for scanning, that's about it #critlib
  147. A4 For one thing, don't pretend you hold the copyright to digitized materials if you don't. #critlib
  148. A4: we try to avoid copyright as much as possible, though we do own it to 1 fonds which makes up bulk of our $ generation. #critlib
  149. A4 How does charging fees affect access? How does it work with community archives? Or archives useful for communities? #critlib
  150. A4. @ibeilin In theory, I have no issue with this. But, do we have the resources to make those kinds of judgments about users? #critlib
  151. .@musarian Today's processed is tomorrow's sad & stodgy record. But something is better than nothing! Start w/ what we know now #critlib
  152. A4: Trying to get our fee schedule public + formalized is one of our latest projects. Also making clear when/where we waive fees. #critlib
  153. if reproduction from the archive is published, they must ask for permission, payment is copy of the publication for the library #critlib
  154. @stephestellar @sendaulas @kellymce Certainly think more cross-training for discoverability would be great. For all these reasons #critlib
  155. @HollyCroft @ibeilin ooooh! sliding scale?? Actually, I have seen this done -- at least in terms of commercial uses. #critlib
  156. @LNBel If only you were getting the money for your labor directly! #critlib
  157. @ibeilin to what end, though? Revenue generation? You'd get more from wealthy by having a good fundraiser #critlib
  158. @stegan I know of several collections where the donor's estate holds copyright & the archive has to give this info to patrons #critlib
  159. @kellymce @HollyCroft Yes, the rich should pay more for everything, including public services like the bus and subway, no? #critlib
  160. Q4 we tend to waive fees for students publishing in OS academic journals or small press runs. #critlib
  161. Q4 I've waived fees if patron can give me reciprocal exchange (I'll digitize the tape if you provide me with transcription). #critlib
  162. A4 @HollyCroft @ibeilin Maybe like pay-what-you-can restaurants? Charging a standard $, but not letting that keep people out. #critlib
  163. @ameliawholmes @HollyCroft The only problem with that appoach is that rich people are cheap - they don't pay unless you make 'em. #critlib
  164. @foureyedsoul @sendaulas @kellymce Huh, that is an obvious solution that I never considered - wonder how many inst cross-train #critlib
  165. @barnlib I do, indirectly, and that $4.75 check I received today can go to buying more zines #critlib
  166. A4 >> So, to extent it seems ethical/legal/etc, perhaps consider sliding scale for fees as relevant for users/collection. #critlib
  167. A4 FWIW, when I was doing MA research, fees on top of travel costs massively impacted what research I’d think about publishing >> #critlib
  168. Q4: Also, don't let lawyers write website notices about copyright, reproduction w/out archivist input. Short & sweet. #critlib
  169. A4: I've waived fees with some nontrad users of archives. "I'm glad you're here. I'll waive $ but I want our credit line in bold." #critlib
  170. There's so much more to say on all the #critlib Qs, but I really want to get to the last one...about labor!
  171. Question 5
  172. Q5 How can institutions push back on unfair practices, relying heavily on volunteer, student, intern & temporary labor. #critlib
  173. .@musarian me too! There are many complicated layers. Processing also involves good access systems & tools that resonate with users #critlib
  174. @rowmyboat Yes! I've seen C+U archives be more deliberate about item-level v MPLP. Trained personnel working w/ colls def helps too #critlib
  175. Q5 #critlib do you mean relying on cheap labour is unfair? or that it's hard to push back when you have only cheap labour? (BOTH?!?)
  176. A5: Straight-up, this is the reason I am not an archivist today. I was unwilling to deal with the grueling unpaid/temp entry level. #critlib
  177. Q5 How can we push back on unfair institutional practices, relying heavily on volunteer, student, intern & temp labor. #critlib @rowmyboat
  178. #critlib Q5: leverage grant/endowment dollars. Talk institution talk. We need institutional dollars (for work) to make development happen.
  179. Q5 There's a lot to be said for staff stability in archives -- helps with donor relations/inreach and outreach #critlib
  180. @eiratansey Based on everything that's been said tonight, it seems staff stability is crucial to the whole mission of the archive. #critlib
  181. I have fabulous intern this semester. We should try to hire the good ones. The unfair practices are from her degree prog, not me. #critlib
  182. A5 ADVOCATE FOR US if you can. Don't hire unpaid labor...? Make an unpaid internship a real mentorship? #critlib
  183. A5: Which I know is hilarious, because libraries do this too. Just, not to quite the same outrageous extent. #critlib
  184. A5 Grassroots efforts from archives staff! Demonstrate value of training/education (ie saved time), advocate for paying experts #critlib
  185. #critlib Q5 I dunno, just put your foot down? Only take interns attached to classes & with an actual plan. Living wage rather than min wage.
  186. #critlib Q5 In larger institutions there are probably other groups/orgs you can work with -- unions, student groups -- who do justice work.
  187. Project-funded temporary archivists are the canary in the coalmine for the adjunctification of the rest of the LIS profession, IMO #critlib
  188. A5: The year-long grant-funded entry level processing gig is to archives like the Americorps year labor is to non-profits. #critlib
  189. Our @barnardArchivist Shannon O'Neill refused to use unpaid interns. She built a paid fellowship cuz she & @lisarnorberg r awesome. #critlib
  190. A5 We use grants to help fund internships or, if unpaid for credit, mentor students and fashion thoughtful, educational projects #critlib
  191. @MisterBooth this was the case at my last gig as well- but we had no way of knowing how accurate/up-to-date that info was. #critlib
  192. A5. Some schools REQUIRE that internships be unpaid if getting class credit. Thankfully, @uncsils isn't one of them. #critlib
  193. Which is to say, a good idea in theory, but one that has perhaps permanently effed up entry-level gigs in both fields. #critlib
  194. My favorite oft-proposed rarely used tactic is don't take a Fancy Collection unless the donor agrees to fund the processing labor #critlib
  195. @eiratansey we did that a lot at UofO. Or didn't take it until we could fundraise from other donors for the processing. #critlib
  196. @ibeilin what do you mean? some archivists are unionized (I am in my uni's faculty union), others are not #critlib
  197. @barnlib @rowmyboat it's pretty standard practice, in canada at least, to refer to your union for this stuff. #critlib
  198. @ibeilin indeed i walked my first picket line in support of archivists at the candian war museum / cd. museum of civilization #critlib
  199. @GinaMurrell1 @ibeilin in canada they are in the same unions as librarians, most times. #critlib
  200. A5 unpaid internships in archives are a mess in NYC, I see at least 40 on our listserv every semester. #critlib
  201. A5: A piece of this is societal: we need to value archives more, dudes. Of course, that's tough to translate directly into gigs. #critlib
  202. A5 and because of labor shortage, students have fear about being hired, take them on, which perpetuates unjust system #critlib
  203. A5 Basically I am very vocal about how and what archivists add to collections - not just about materials but what we make of them #critlib
  204. somehow I got my MS-LS degree in archives without a required internship, no one noticed - but I was full time archival worker #critlib
  205. A5 I wish unpaid interns in archives had union representation, I have fantasies of unpaid intern walkouts. #critlib
  206. #critlib A5 And can we talk for half a second about how SAA is fairly useless?
  207. @eiratansey @barnlib I have never ever been offered a 'fancy collection' we usually even have to pay the UPS postage #critlib
  208. A5: this is tricky b/c so many of our orgs operate under chronic state of pressure to raise profile to ensure continued funding. #critlib
  209. #critlib A5 I've been tossing around in my mind for a while now, the idea of a sorta industrial union of NYC librarians.
  210. if you have to be an unpaid intern, I'd say librarians are probably the best bosses, and we will help get you employed #critlib
  211. @jayeldee Perhaps we'll have a future #critlib about librarian-archivist solidarity.
  212. A5: I suspect maj. of people partipcating in #critlib are in academic settings. Not the norm. Most archives run by 1 person, FT if lucky.
  213. Q5: I would not dismiss the role of prof. orgs in supporting archivists working in lone arranger settings. #critlib
  214. .@captain_maybe Eat the rich. Or, to quote Lucy Parsons, "shoot or stab them." #critlib
  215. @rowmyboat right but before we do that can we make them fund the arts and libraries and archives? #critlib
  216. Pitches, good-byes, etc.
  217. Thanks everyone for participating, especially new-to-#critlib archivists! And thanks to @DinahHandel for agreeing to storify!
  218. Oh, archivists, please feel free to suggest other 'chives-related topics for a future #critlib:  http://tinyurl.com/critlibmod 
  219. Thanks! @MisterBooth Kudos r 2 the @BarnardArchives-ists who r brilliant & inspirational & our boss @lisarnorberg who supports us. #critlib
  220. We have a special bonus #critlib *next week* where we'll be talking about what #critlib means and why it is important to us.
  221. Anyways, so #critlib & the piece by @kdrabinski I RTd earlier has me thinking about archives as disciplinary space, and how it hurts access.